Some serious connecting work going on with borrowed scenery for joining physical and imaginary worlds together. A new Boskoi database is up and running, giving us a place to put all kinds of story elements and plants found in the city. Boskoi uses the Ushahidi platform, which provides an API the game is now using to pull all items tagged in the map (which can come from the Android app or web app) into the game where they can interact with players or other entities.
More of Theun’s artwork has gone in, including a magician tarot avatar on the left while the three plants in the screenshot above represent those tagged on the map below. Getting everything in the right place (map lat/long coordinates vs game location coordinates and then aligning the map) took a lot of time to get right!
FoAM is building a story for Electrified III: The Responsive City in Ghent in September. It’s called Borrowed Scenery 1.0 and follows on from our previous Borrowed Scenery 0.1 in the same city in 2009. The story will be built out of parts arising and inspired from the groworld project – human plant interfaces, but with a focus on physical narratives and alternate realities based in the city.
One of my tasks is to take two of our existing projects, Germination X and Boskoi and bring them together – absorbing the physical space of a city into an online game, as well as using a mobile foraging application as a way to propagate pieces of the overall story. This is a good chance to prototype some ideas for combining imaginary online spaces with physical spaces, online players from all over the world and people foraging in the streets of Ghent.
I’m starting with the game, and a working sketch using Maja’s visual references for inspiration – some of the ideas here include:
- Representing plants found by Boskoi foragers as characters – the bubble plants with feet are the plants from our world in the game’s reality.
- Using the map of the city as terrain – which becomes deformed by the activity of players.
- Mixing different styles, organic and digital elements – but focusing on sculptural and 3D objects (rather than Germination X’s mainly 2D look).
- Use of many more minor and major characters (e.g. the chicken in the lower left).
- Use of Lingua Ignota – the “unknown language” of Saint Hildegard of Bingen, who’s viriditas or â€˜greennessâ€™ is an important element of this story (the pope is also making her the 35th “Doctor of the Church” on the 7th October, while the festival is happening).